My practice explores the emotional and psychological relationships between people, space and memory. I am interested in how ordinary spaces carry hidden tensions, especially in contemporary urban life, where feelings of safety, belonging and identity are often unstable.

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Rather than treating space as a fixed background, I see it as something shaped by movement, memory, pressure and personal experience. My work often begins with familiar forms such as windows, houses, trees, shelters, grids, fabric, traces and fragments of the city. These elements become unstable symbols. They can suggest protection, but also exposure; intimacy, but also distance; comfort, but also anxiety.

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Material transformation is central to my practice. I move between painting, photography, textile, installation, printmaking and image transfer, allowing each work to find its own form. I am interested in how materials change meaning: how fabric softens an image, how wood carries traces of time, how light passes through a surface, or how a line can suggest a boundary without becoming a wall.

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Across my work, I return to the question of how people construct inner spaces within external systems. These inner spaces may appear as mental shelters, temporary homes, fragile boundaries or poetic structures of resistance. They are not complete escapes from reality, but moments of pause where vulnerability, memory and resilience can become visible.

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I want my work to create spaces where viewers can slow down and reconsider their relationship with the city, with others and with their own inner world. Through quiet gestures, layered materials and shifting boundaries, my practice asks how a sense of safety might still be imagined within uncertainty.